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Z-AXIS MOVEMENT: 5 camera techniques to help you raise stakes, create unease, and more

Z-AXIS MOVEMENT: 5 camera techniques to help you raise stakes, create unease, and more

by Harris McCabe | Five For Filming, Greatest Hits

There are three directions you can move your camera: along the horizontal x-axis (pans and dollies), the vertical y-axis (tilts and booms), and the z-axis (moving forward or back). Used separately or in conjunction, these movements can serve utilitarian purposes, such...
STAR SEARCH: 5 Things To Remember When Casting Your Film

STAR SEARCH: 5 Things To Remember When Casting Your Film

by Lunacy Staff | Five For Filming

While a great script is critical, even the best material can fall flat without the right vessel to deliver it. That’s why casting is so important. It’s always preferable to have a casting professional assist you, and it’s almost always worth it. But depending on your...
AND THEN I GO: Director Vincent Grashaw Discusses His New Feature

AND THEN I GO: Director Vincent Grashaw Discusses His New Feature

by Vincent Grashaw | Interviews

Lunacy Productions is proud to present the powerful and harrowing drama AND THEN I GO, available on digital platforms everywhere! iTunes / Google Play / FandangoNow / Amazon Starring Melanie Lynskey, Justin Long, and newcomers Arman Darbo and Sawyer Barth, And Then I...
HANDLING “THE TALENT”: Five Pieces of Advice On Dealing with Difficult Actors

HANDLING “THE TALENT”: Five Pieces of Advice On Dealing with Difficult Actors

by Alexandra Jensen | Five For Filming

So you’re shooting your first feature and you’re working with Hollywood megastar Bristian Kale! Suddenly, maybe to no surprise, he throws a tantrum on set. What do you do? Well… you suck it up. It’s a small price to pay to get Bristian Kale in your first film! The...
HAVE SOME CLASS: 5 Reasons An Acting Class Will Make You A Better Director

HAVE SOME CLASS: 5 Reasons An Acting Class Will Make You A Better Director

by Lunacy Staff | Five For Filming

Sounds awful right? Standing in front of an audience and pretending you’re someone else. You’re a director after all – you’ve specifically chosen directing as a career because it keeps you behind the camera. But we’re not suggesting you should consider acting in...
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  • LUNACY’S GUIDE TO MUSIC LICENSING — Addendum: The Composer Agreement
  • LUNACY’S GUIDE TO MUSIC LICENSING PART III — Working With Composers
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