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WRITE LIKE A PRO: How Our Screenwriting Experts Overcome Common Hangups
There are times when writing can be exciting, effortless, and fun. And then there are all the other times: when you don’t know where to start, or can’t remember why you started, or when you’re buried so deep you don’t even know which way to dig to get yourself...
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MAKING THE STANFORD PRISON EXPERIMENT: An Interview with Kyle Patrick Alvarez
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PITCHING YOUR SHOW: An interview with television writer and producer Bruce Romans
THE SCREENPLAY PET PEEVES: Five mistakes that will make your readers want to put your script down
PROFESSIONAL BLOOD AND GUTS: An interview with makeup artist Allie Shehorn
Allie Shehorn is a freelance makeup and special effects artist. She has worked on music videos, commercials, shorts, and feature films, including the Lunacy Productions thriller Rust Creek. She stopped by Lunacy HQ recently to help us celebrate Halloween and to...
THE DOS AND DON’TS OF CASTING: Casting directors Meg Morman and Sunny Boling reveal their secrets
BEING YOUR OWN BOSS: 5 Things to Know When Setting up an LLC
The creative side of the filmmaking business is obviously important, but equally vital to being successful is the business side. One of your top priorities should be to make sure you’re protected from being personally liable if anything goes wrong. One way to do...
F*** THE COMPLIMENT SANDWICH: Back-patting will never be as effective as butt-kicking
ON THE RECEIVING END: 5 Indispensable Tips for Receiving Notes on Your Script
THE A-B-C-Ds OF SUCCESS: Advice from Cinematographer Matthew Irving
YOU ARE THE SHOW: 5 Things to Remember When Putting Together a Great Pitch
FILLED WITH HOPE AND POSSIBILITY: An interview with GoldenEye scribe Bruce Feirstein
FINISH YOUR SCRIPT!: The most important advice a first-time screenwriter can get
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LOW-BUDGET FILMMAKING: How Much Does It Really Cost To Make Your First Feature?
Fellow indie filmmakers continue making micro-budget feature films. Glen Schultz (Red Trail 90) says he did it with $10,000. Mark Duplass (The Puffy Chair) suggests you only need $1,000. Those figures notwithstanding, keeping costs low can set you up to turn a...
RENAISSANCE DISNEY: 5 Filmmaking Lessons from Disney’s Mulan
The term “Renaissance” has been used by fans to describe the awakening and reinvention that brought public and critical interest to Disney Feature Animation in the 1990’s, starting with 1989’s The Little Mermaid and ending with 1999’s Tarzan. No matter...
Z-AXIS MOVEMENT: 5 camera techniques to help you raise stakes, create unease, and more
There are three directions you can move your camera: along the horizontal x-axis (pans and dollies), the vertical y-axis (tilts and booms), and the z-axis (moving forward or back). Used separately or in conjunction, these movements can serve utilitarian purposes,...
BETTER SLATE THAN NEVER: The Importance Of The Slate To An Assistant Editor
“Rushing Ramona” is a 2nd AC (camera assistant) working on a feature in Kentucky. Before each take she updates the slate (also called clapboard, clapperboard, or sound marker) with the appropriate scene and take. She announces the take, claps the “sticks,” and gets...
WOMEN ON THE CUTTING EDGE: 5 Female Film Editors Behind Your Favorite Films
In honor of Women’s History Month your friends at Lunacy will be posting content celebrating the contribution of women to the film industry. We continue this week with a look at female filmmakers who aren't household names but have nonetheless shaped the history of...